Yesterday in Burbank.


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Yesterday in Burbank, the sky was clear, clouds sat high and moved fast, the sun sparkled, dust blew, and people rode horses on dirt trails.

On this day, a film student from Canada put on a thermal shirt, petted a horse, picked up a shovel, tried on a jean jacket, and impersonated a life without quite really actually believing in it.

Near the stables, roosters crowed and horses neighed. And the student carried a black bag out of a red barn and walked diagonally past the camera.

The muscular, tattooed man stood timidly next to a white horse in leather blinders. He said he was from the city and had never touched that animal.

In the equestrian district, the air smelled like hay and horse, horse shit and horse sweat.

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Later, along Victory, drops of rain fell and then stopped.

Under the concrete pillars holding up the Golden State, behind a steel fence, illuminated in the mellow end-of-day light, the student stood in mock incarceration, a dark skinned reminder of others who sit in prison, or move beyond borders to chase freedom in other lands.

He later stood shirtless next to a street sign, not unlike the thousands who stand on the streets of Los Angeles waiting for customers, or others who live on the streets because they have no home.

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Processed with VSCOcam with j4 presetAll of it was pretend, and all of it was about capturing light, and setting a mood, an imitation of life.

Yesterday in Burbank was make-believe.

But the light was real and the buildings threw off a gentle and enveloping glow, mitigating the harshness of the city, and offering an alternative imaginary story for jaded urbanites.

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